{"id":1749,"date":"2022-06-06T19:31:53","date_gmt":"2022-06-06T16:31:53","guid":{"rendered":"https:\/\/anthro.music.uoa.gr\/eleni-kallimopoulou-2\/"},"modified":"2024-10-09T13:44:33","modified_gmt":"2024-10-09T10:44:33","slug":"eleni-kallimopoulou-2","status":"publish","type":"post","link":"https:\/\/anthro.music.uoa.gr\/en\/eleni-kallimopoulou-2\/","title":{"rendered":"Eleni Kallimopoulou"},"content":{"rendered":"<p><strong>Eleni Kallimopoulou<\/strong> (MMus, PhD, SOAS, University of London) is assistant professor at the University of Macedonia. She is author of <em> Paradosiaka: Music, Meaning and Identity in Modern Greece<\/em> (Ashgate\/Routledge, 2009) and <em>Learning Culture through City Soundscapes \u2013 A Teacher Handbook<\/em> (with P.C. Poulos and K. Kornetis, e-book, University of Macedonia, 2013), and co-editor of <em>Counter-Archives: Rethinking Oral History from Below <\/em>(with R.V. Boeschoten and V. Dalkavoukis, Greel Oral History Association, 2021), <em>Music Communities in 21st-century Greece: Sonic Glances in the Field <\/em>(with A. Theodosiou, Pedio, 2020), and <em>Introduction to Ethnomusicology<\/em> (\u03bc\u03b5 \u03c4\u03b7\u03bd \u0391. \u039c\u03c0\u03b1\u03bb\u03ac\u03bd\u03c4\u03b9\u03bd\u03b1, \u0391\u03c3\u03af\u03bd\u03b7, 2014). \u0395\u03af\u03bd\u03b1\u03b9 \u03b9\u03b4\u03c1\u03c5\u03c4\u03b9\u03ba\u03cc \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03b5\u03c1\u03b5\u03c5\u03bd\u03b7\u03c4\u03b9\u03ba\u03ae\u03c2 \u03bf\u03bc\u03ac\u03b4\u03b1\u03c2 sonorCities, \u03b7 \u03bf\u03c0\u03bf\u03af\u03b1 \u03b5\u03c0\u03b9\u03ba\u03b5\u03bd\u03c4\u03c1\u03ce\u03bd\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03b8\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c4\u03bf\u03c5 \u03ae\u03c7\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03c4\u03c9\u03bd \u03b1\u03b9\u03c3\u03b8\u03ae\u03c3\u03b5\u03c9\u03bd, \u03ba\u03b1\u03b9 \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03b4\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03c3\u03c5\u03bc\u03b2\u03bf\u03c5\u03bb\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03bf\u03bc\u03ac\u03b4\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03c0\u03b5\u03c1\u03b9\u03bf\u03b4\u03b9\u03ba\u03bf\u03cd <em>Ethnomusicology Forum<\/em>. Email: elkallim@music.uoa.gr \u0395\u03bd\u03b4\u03b5\u03b9\u03ba\u03c4\u03b9\u03ba\u03ad\u03c2 \u0394\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c3\u03b5\u03b9\u03c2 \u0398\u03b5\u03bf\u03b4\u03bf\u03c3\u03af\u03bf\u03c5, \u0391. \u03ba\u03b1\u03b9 \u0395. \u039a\u03b1\u03bb\u03bb\u03b9\u03bc\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03b5\u03c0\u03b9\u03bc. 2020. <em>\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ad\u03c2 \u03ba\u03bf\u03b9\u03bd\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \u03c4\u03bf\u03c5 21\u03bf\u03c5 \u03b1\u03b9\u03ce\u03bd\u03b1: \u03b5\u03b8\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03bc\u03b1\u03c4\u03b9\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c1\u03bf\u03ac\u03c3\u03b5\u03b9\u03c2<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u03a0\u03b5\u03b4\u03af\u03bf. \u0398\u03b5\u03bf\u03b4\u03bf\u03c3\u03af\u03bf\u03c5, \u0391. \u03ba\u03b1\u03b9 \u0395. \u039a\u03b1\u03bb\u03bb\u03b9\u03bc\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5. 2020. \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac \u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9\u03b1, \u03c3\u03c5\u03bc\u03bc\u03b5\u03c4\u03bf\u03c7\u03b9\u03ba\u03cc\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc\u03c2 \u03c4\u03bf\u03c5\u03c1\u03b9\u03c3\u03bc\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b5\u03b8\u03bd\u03b9\u03ba\u03ad\u03c2 \u03ba\u03bf\u03b9\u03bd\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ae\u03c2. \u03a3\u03c4\u03bf <em>\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ad\u03c2 \u03ba\u03bf\u03b9\u03bd\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \u03c4\u03bf\u03c5 21\u03bf\u03c5 \u03b1\u03b9\u03ce\u03bd\u03b1: \u03b5\u03b8\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ad\u03c2 \u03bc\u03b1\u03c4\u03b9\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03ba\u03c1\u03bf\u03ac\u03c3\u03b5\u03b9\u03c2<\/em>, \u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u0391\u03c3\u03c0\u03b1\u03c3\u03af\u03b1 \u0398\u03b5\u03bf\u03b4\u03bf\u03c3\u03af\u03bf\u03c5 \u03ba\u03b1\u03b9 \u0395\u03bb\u03ad\u03bd\u03b7 \u039a\u03b1\u03bb\u03bb\u03b9\u03bc\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, 99-132. \u0391\u03b8\u03ae\u03bd\u03b1: \u03a0\u03b5\u03b4\u03af\u03bf Kallimopoulou, E., \u03ba\u03b1\u03b9 K. Kornetis. 2017. \u2018Magical Liturgy\u2019: A History of Sound at the <em>Kyttaro <\/em>Music Club, 1970-1974. <em>Journal<\/em> <em>of<\/em> <em>Modern<\/em> <em>Greek<\/em> <em>Studies<\/em> 35(2): 481-512. \u039a\u03b1\u03bb\u03bb\u03b9\u03bc\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0395. \u03ba\u03b1\u03b9 \u0391. \u039c\u03c0\u03b1\u03bb\u03ac\u03bd\u03c4\u03b9\u03bd\u03b1, \u03b5\u03c0\u03b9\u03bc. 2014. <em>\u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7\u03bd \u03b5\u03b8\u03bd\u03bf\u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03bb\u03bf\u03b3\u03af\u03b1<\/em>. \u0391\u03b8\u03ae\u03bd\u03b1: \u0391\u03c3\u03af\u03bd\u03b7. Kallimopoulou, E. 2009. <em>Paradosiaka: Music, Meaning and Identity in Modern Greece<\/em>. Farnham: Ashgate.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0391ssociate Professor<\/p>\n","protected":false},"author":3479,"featured_media":1611,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[],"class_list":["post-1749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty"],"_links":{"self":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/3479"}],"replies":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=1749"}],"version-history":[{"count":2,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1749\/revisions"}],"predecessor-version":[{"id":2051,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1749\/revisions\/2051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/1611"}],"wp:attachment":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=1749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=1749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=1749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}