{"id":1748,"date":"2022-03-31T14:15:27","date_gmt":"2022-03-31T11:15:27","guid":{"rendered":"https:\/\/anthro.music.uoa.gr\/anastasios-hapsoulas\/"},"modified":"2024-02-26T12:33:22","modified_gmt":"2024-02-26T09:33:22","slug":"anastasios-hapsoulas","status":"publish","type":"post","link":"https:\/\/anthro.music.uoa.gr\/en\/anastasios-hapsoulas\/","title":{"rendered":"Anastasios Hapsoulas"},"content":{"rendered":"<p>Professor of Ethnomusicology at the Department of Music Studies. (University of Athens). He has a Ph.D. in Ethnomusicology-Systematic Musicology, Georg-August University of G\u00f6ttingen (Germany). He studied Musicology and Philosophy at the corresponding Departments of the same University. His Ph. D. thesis, \u201cInformation on the Traditional Greek Music-Life in Travellers\u2019 Chronicles of the 18th and the 19th Century\u201d, has been published by the editor: Orbis Musicarum (Edition Re) 1997, in G\u00f6ttingen. His work was partly sponsored by the Onassis Foundation. He received also a scholarship from the State Scholarships\u2019 Foundation and carried out a post-doctoral research, titled \u201cMusic Transcriptions of Melodies from Xeropotamos of Drama\u201d, which was published in June 2003, by Papagregoriou-Nakas editions. His research interests are in the area of methodology, the history of the Greek traditional music, as well as the secular music traditions of the Middle Ages.         <\/p>\n<p><strong>Publications (Books)<\/strong><\/p>\n<ul>\n<li>\u00abInformationen \u00fcber das traditionelle griechische Musikleben in Reiseberichten des 18. und 19 Jahrhunderts\u00bb, Univ.Diss.,Edition Re, Orbis Musikarum 13, G\u00f6ttingen 1997.<\/li>\n<li>\u201cMusic Transcriptions of Melodies of Xeropotamos of Drama\u201d, Ed. K. Papagregoriou-X. Nakas, Athens 2003 (in Greek)<\/li>\n<li>\u201cEthnomusicology. Historiographical and ethnographical dimensions\u201d Ed. Nisos, Athens 2010. (in Greek). <\/li>\n<li>\u201cIndian Art Music. Historical, ethnomusicological dimensions\u201d Ed. Nisos, Athens 2014 (in Greek). <\/li>\n<li>\u201cMusical Theory and Praxis in the Arabian Middle-Ages. Assumes and Influences\u201d, Ed. Nissos. Athens 2019 (in Greek).  <\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Professor<\/p>\n","protected":false},"author":3479,"featured_media":1613,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[56],"tags":[],"class_list":["post-1748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty"],"_links":{"self":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/users\/3479"}],"replies":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/comments?post=1748"}],"version-history":[{"count":1,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1748\/revisions"}],"predecessor-version":[{"id":1911,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/posts\/1748\/revisions\/1911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/media\/1613"}],"wp:attachment":[{"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/media?parent=1748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/categories?post=1748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anthro.music.uoa.gr\/en\/wp-json\/wp\/v2\/tags?post=1748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}